Piano tuner tools for sale

Piano tuner tools for sale DEFAULT

Tune Your Piano Like a Pro With These Tuning Kits

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It’s no secret that having your piano tuned professionally can get expensive. However, regularly tuning your piano is essential for upkeep and just good maintenance (not to mention keeping your keys sounding great). Since most piano manufacturers suggest that you tune the instrument twice a year at the very minimum, purchasing a piano tuning toolkit for your own use at home saves money and encourages more frequent tuning checks.

What Are the Best Piano Tuning Kits?

Whether you’re searching for a just-the-basics kit to get started or something with a few more added accessories, the best piano tuning kits should include a tuning hammer for making adjustments to the piano’s tuning pins and rubber (or felt) mutes that can be placed between unison strings so that each string can be individually tuned.

The tuning hammer is the focal point of the kit. Since piano tuning is a lengthy process that requires repetitive motions and great attention, you want to make sure that the hammer is built out of comfortable material and that the shape lends itself to an easy grip. Additionally, hammers with a longer lever are preferable when it comes to making small adjustments with the tuning pins. Levers typically measure from ten to fourteen inches, and anything longer than fourteen inches may be difficult to maneuver within the instrument.

Once you’ve grown comfortable with the essential tools, you may seek kits that include mutes of varying textures, handles, or clamps, depending on which is most comfortable for you to maneuver between the strings of your instrument. Tweezers, screwdrivers, and a second, smaller hammer are additional accessories that those operating on a more professional level will find helpful to any maintenance routine.

No matter your experience level, these tools – and their accompanying instructions – can help you restore your instrument’s sound when splurging on a professional tuning technician is not an option.

1. MiriamSong Professional Piano Tuning Kit

If you’re new to piano tuning, this is the kit to start with. The hammer is 12.5 inches long and is designed with a star-shaped head, which allows for universal use across piano tuning pins. The hammer’s handle is crafted from wood, giving you a solid, sturdy grip that won’t tire out your hand.

When it comes to mutes, this kit has variety: three rubber wedge mutes, one rubber mute with a handle, one felt mute, and a clamp. We also love this kit for its neatly organized carrying case.

Pros: Professional quality that is suitable for beginners.

Cons: Some may prefer a curved handle.


Buy:MiriamSong Professional Piano Tuning Kitat$44.99

2. Schaff Piano Tuning Hammer and Mute Kit

Schaff has been manufacturing piano tools since 1938 and has earned a reputation for dependability. This kit doesn’t go beyond the basics, but thanks to the craftsmanship of the tuning hammer and the provided selection of rubber mutes (wedged or with a handle), you won’t need more than this to care for your instrument.

The hammer is 12 inches in length and has a curved, wooden handle for increased comfort and support. Its nickel-plated steel shaft gives the tool added durability, ready for long-standing use.

Pros: Trusted brand, durable materials.

Cons: Fewer accessories.

Buy:Schaff Piano Tuning Hammer and Mute Kitat$74.99

3. YZNlife Professional Piano Tuner Kit

Not only does this kit have the standard tuning hammer and mutes, but it comes equipped with a tuning fork, two screwdrivers, tweezers, and an additional metal hammer of a smaller size. For those with piano-tuning experience, these extra tools offer a way to get further involved with your piano maintenance and get more precise with your tuning craft.

However, the basics are still essential. This tuning hammer measures 11.8 inches and has a thick wooden handle for maintaining a solid grip, while the shaft is made of stainless steel. The included mutes are of both the wedged and handle designs, granting you versatility.

Pros: Professionals will appreciate the added accessories.

Cons: Some may prefer a longer hammer.

Buy:YZNlife Professional Piano Tuner Kitat$38.99

4. COOLOOK Piano Tuning Kit

This nine-piece kit gives you all the essentials but in a compact size. While the hammer’s length (6.3 inches) is of a shorter length, its curved, form-fitting handle makes tuning your piano on the road a painless process.

The kit also includes four wedged rubber mutes and two rubber mutes with handles. We especially love this kit because all of these items are stored in a 3.94 by 11.81-inch storage bag, which you can easily toss in your backpack when you’re out traveling.

Pros: Smaller size is great for travel.

Cons: Some may prefer a longer hammer

best piano tuner


Buy:COOLOOK Piano Tuning Kitat
Sours: https://www.rollingstone.com/product-recommendations/lifestyle/best-piano-tuning-kits-1015217/

Besides keeping my expenses down, I use this 2 piece set to make my tuning case lighter. Since I'm not as young as I used to be, carrying less tools is easier on my back.

If you are young maybe carrying a heavy tool kit doesn't bother you. If so then go ahead and buy the complete upright piano regulating kit.

What I'm saying here is that the key spacer (with handle) can sub for some of the items in the full kit. Remember, all of these piano tuning tools plus more can fit into the combination handle with locking nut.

So once you have the handle you can later buy more piano tuning tools that fit into it as needed.

Here are the subtitutions:

1. Use the open slot in the end of the key spacer as a damper regulator. Basically both are shaped about the same and with a little practice this works just as well.

2. Use the slotted end to reach into the action to turn the let off screw. Be very careful not to bend or break off this part. It actually looks more like a hook than a screw.

This works almost as good as the regulating screw driver except that it can slip off. If the key spacer does slip off the screw just start again.

You will also have to make shorter turns. Then left the tool, replace and turn again. This is neccessary so that one does not break off the screw.

3. Spoon bender. There is no sub for this piano tuning tool. It can also be very difficult to use. It may take a lot of extra practice to correctly use this item.

If one is planning to do a whole lot of upright piano regulating for a factory or shop then it is neccessary to learn how to use this tool. If planning to only do home and church piano tuning, minor repair and on the spot adjustments then the spoon bender is not needed.

I've never really used this device. It has even come to my attention that this particular item is not very effective. Some techs make their own version.

Anyway, most on the spot damper lever adjusting (which is what a spoon bender is for) can be done up top below the damper block, with! Guess what? The offset key spacer, which of course can also be used as an "offset key spacer".

Plus don't forget to use it to slip hammer springs back in place.

4. Back Check Regulator? Just use your fingers. You just saved $15.00 right there. Plus fingers are quicker. Saving money is a big reason I use these substitutions.

5. The two screwdrivers. I bet you already have a straight blade screwdriver, so these may not be needed. You will need a phillips to take some pianos apart. I do suggest to get 8" long blades.

So, there you have it. The combination handle and offset key spacer. Half the price of the whole kit. Another tip. Just leave the spacer in the handle. Reach into your kit and grab it.

That's faster than unscrewing the nut, pulling out that piano tuning tool, reaching into your case, slipping another one in and then tighten it before use. Grab and go is a lot faster.

Please remember that using any of these piano tuning tools properly will take study and practice. This idea of subing one tool for another is strickly my personal approach. I have 35 years of experience in the piano tuning business.

Never the less, what works for me may not work for you. Always follow recommended regulating procedures. And always pay careful attention to what you are doing. As a beginner, much of your learning may be on the job training.

Use Schaff and Hale piano tuning products and be satisfied with the strength and quality. In three and a half decades of using these American made products only one of them has broken. And that was after hundreds of hours of use.

Check back often. I will be adding more helpful tips on piano tuning and repair. Plus more tools and and other products.

Please view Schaff and Hale Piano Tuning Tools.

Sours: http://www.thepianotickler.com/piano-tuning-tools
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(Price shown is kit price with the upgraded lever.)


TOTAL with Korg CA-50 Tuning Meter with Temperament                                                     $ 167.50
         Extra Clip On mic included- Tuning fork included

TOTAL Above kit with Korg OT-120M                                                                                        $ 254.50
         Extra Clip On mic included- Tuning fork included             

         The MIC included is the Clip On Mic as in the illustration on the meter page.  


If you add the Basic Regulating Tool Kit to the Touch Up Tool Kit                                         $ 279.50

If you add the Master Regulating Tool Kit to the Touch Up Tool Kit                                       $ 510.75


The first edition of this world famous book has sold over 45,000 copies
and has become the classic manual for piano technicians and amateurs
internationally.  Originally published in  1976, Piano Servicing has now
been updated and expanded, incorporating the experience of another
decade and a half of exacting service and restoration by the author.  
Bibliography and index included, 8 1/2" x 11", and hundreds of illustrations.  
Close to 300 pages of the best information available for the professional
tuner / technician. College textbook quality, but at trade prices.


Price of the book with the above Tool Kit                        Add       $ 36.00
Price for this Paperback book alone                                 Add       $40.00


This tool kit will allow you to do your own repairs and tuning.  I try, in the online book, to help you make
nearly any repair that is needed.  This tool kit will be very valuable to missionaries and those in
international communities where piano service is not available.  
Music directors and band masters in universities and Secondary Schools will also find this kit will
"save the day" from time to time.


(Price shown is the kit price with the upgraded lever.)


TOTAL with Korg CA-50 Tuning Meter with Temperament                                                     $ 362.50
         Extra Clip On mic included- Tuning fork included

TOTAL Above kit with Korg OT-120M                                                                                        $449.50
         Extra Clip On mic included- Tuning fork included             

         The MIC included is the Clip On Mic as in the illustration on the meter page.  


If you add the Basic Regulating Took Kit to the Standard Tool Kit                                          $ 474.50

If you add the Master Regulating Tool Kit to the Standard Tool Kit                                        $ 704.50 This kit will duplicate a couple of tools. We cannot adjust for that.

The first edition of this world famous book has sold over 45,000 copies
and has become the classic manual for piano technicians and amateurs
internationally.  Originally published in  1976, Piano Servicing has now
been updated and expanded, incorporating the experience of another
decade and a half of exacting service and restoration by the author.  
Bibliography and index included, 8 1/2" x 11", and hundreds of illustrations.  
Close to 300 pages of the best information available for the professional
tuner / technician. College textbook quality, but at trade prices.


Price of the book with the above Tool Kit                        Add       $36.00
Price for this Paperback offer alone                                 Add       $ 40.00




Keyes Impact Tuning Lever from Schaff Piano Supply
          (Not shown) Chrome plated.  Has Slide weight to
          adjust amount of impact where old
          pianos have loose pins.   ( I use this one)-                            SH66             $ 183.50

Impact Tuning Levers (16456 & SH66) are NOT practical to use on grand pianos.

Economy Gooseneck Tuning Lever

            This lever is limited only to about 3 tuning pin sizes. This lever will
            not work well on Kawai and 80% of European pianos. If you want to
            be sure you can tune any piano, you need to look at the Craftsman Lever
            down the page. It accepts tips changes to tune any piano you encounter.
            See 16231 in illustration            See graphic at lower right and above                               
            Star tip- Most practical and favored by the tuning profession
            Will work perfect on four sided pins and gives eight positions to set the lever           SH5A            $ 35.00
             Same lever with oblong tip for very old tuning pins and square grands                      SH5C            $ 38.00

Tuning Lever for the Apprentice Tuner  The head is removable,
           and it accepts several attachments, including the more expensive
           levers on the Shaff Page.
           Lever is 11 inches long- 16229 in the illustration below
           Hard wood handle--  One piece star head-tip 2 1/2 inches long, No. 2 tip
           No substitutes for the head choice of the initial lever.
           You may buy other one piece heads below or "Hale" and Schaff style
           tips to give other tuning configurations. See below.
           See graphic at lower right and above
           With one piece Star Head                                                                                     SH7                 $ 54.75

           2-1/2 inch long, #2 star head, 5 degree angle                                                     SH17                    $ 28.50
           2-1/2 inch long, #3 star head, 5 degree angle                                                     SH17-3                 $ 28.50
           2-1/2 inch long, #2 star head, 15 degree angle                                                   SH17-15               $ 28.50
           1-1/2 inch long, #2 star head, 15 degree angle                                                   SH17A                  $ 28.50
           4 inch long, #2 star head, 5 degree angle                                                            SH17B                  $ 33.00
           5 inch long, #2 star head, 5 degree angle                                                            SH17C                  $ 35.00

           Order the "Hale" style and Schaff style heads and tips for the Apprentice Lever

           This is our suggestion as the ideal lever for economy and quality.
           You get the apprentice lever handle with the "Hale" and Schaff style head and tip.
           The threads are the same on this lever and all professional levers we sell.
           Later, you can add other tips and heads to meet special tuning needs you may
           encounter. We feel this lever gives you maximum versatility with economy.
           Tip is number 2 size (Part No. 14B)
           The lever comes with a wood handle without the foam grip seen in the photo.
           Head is short 1 1/4" head at 5 degree angle (Part No. 13G)
                                 Part Number SH8                  $ 79.50

           Order the "Hale" style and Schaff style heads and tips
           for the Craftsman Lever

Tuning Pin Extractor This 3/4 inch long tool (not shown in Illustration) will remove
           a tuning pin which has been damaged by amateur efforts to turn a tuning pin
           with improvised tools. It will also remove a pin which has broken off at the
           hole. The tool fits into the tip of a tuning lever. It has tapered reversed threads
           so that, when turned counterclockwise, it bites the top of the broken pin and
           removes it. This is similar to an "easy out" used in automotive applications on
           broken engine bolts. It will seldom be needed, but when such an emergency
           transpires, this is the ONLY thing to save the day. It should be in EVERY
           professional tool kit. If the tuner before you did not have one, this tool will
           make you look like his superior for sure. You will want to price the task to
           pay for the tool the first time since you will seldom use it.                                      SH110               $ 34.00

Power Tool Tuning Pin Socket

           For installing and removing tuning pins with a power tool fast
           16086 in illustration                                                                                              SH63                 $ 27.50


T-Stringing Tuning Lever
The finest T-Lever available
Tough alloy steel and nylon handle.
Made for factory work, but tuners
can benefit.
The T-Lever will fit in the treble of a
grand piano without hitting the cabinet.
Carry along in small tool pouch                           SH12                 $ 37.60


Harpsichord Tuning Lever- "T" handle- Star head- 16235A in illustration                              SH9                 $  22.00
Harpsichord Swing Handle Tuning Lever-  Star head only- 16235C above                         SH10                $ 25.00
Ratchet head-
 Speeds up removing and driving in new tuning pins-
            Use an automotive application 3/8ths inch ratchet wrench--
            Star head (eight points for more choices of positioning)--                                         See Stringing Tools Page


Pin setting tool-  Drive loose pins deeper into the pin block without losing the
            tension of the wire- The handle cover is now more subdued than the one
            in the illustration. See Pin Setting Tool at Right.

            This tool comes with a foam grip.
            [ Repair-  Chapter 7, #60 ]                                     SH108            $ 40.50

Rubber Mute-
  Metal brass handle-                                                        SH203              $ 1.80

Rubber Mute-   6 inches by 1/2 inch-- Without metal handle-                   SH202              $ 1.90

Rubber Mute-   4 inches by 1/4 inch-- Not in graphic  
           For the tight area between the dampers and bearing bar on uprights  SH201-1/2        $ 1.80

Rubber Mute for grand piano-  3 inches by 3/4 inch
           Short, stubby, and wide-                                                                  SH205              $ 1.85


Felt Wedge Mute-  White and gray mute (not hammer scrap) Fine cut-- Very classy
           Will not deteriorate over time like rubber, but will slightly fluff with age to mute
           better and better. I think these add a touch of class that black rubber lacks.
           Also, may be used in buffing situations (key tops) with liquid compound.
                      3/4 inch wide by 4-1/2 inch long                                                                        SH206-A           $ 8.25
                      1-1/2 inch wide by 3-1/2 inch long                                                                     SH206-B           $ 9.90

Treble Mute--
 Split to mute the
    middle string only. No longer has the
steel handle, but a brass one like the 203 mute.             SH204            $  5.80

Papp's Treble Mute--  From England
Classic case of over-engineering--
I added plastic tape to the outside of
the jaws on mine and trimmed neat.
         BUT, very useful to select which string you want to mute--                                                   SH207            $ 12.00

Split End Wood Mute--  Maple and buckskin covered working ends--                                       SH204-1/2      $  11.95

Red felt temperament mute-  Used to mute two octaves in the center of the piano
         when setting the temperament-  Also, mute the bass on grands with a second one.

         This mute is tapered from 3/4 to 1/2 inch to help cross the treble break--                   SH209          $9.45
         Two of the above felt temperament mutes-                                                                                        $ 16.75

         Above mute-- tapered from 3/4 to 1/2 inch to help cross the treble break--
         The difference in this mute is that it is thinner-- 1/8 inch thick--                                             SH209T        $ 9.45

Gang Mute-  This fits into the temperament octave without having
          to push felt between the wires.  Saves time, and easy to use.
         You may want to cut the tips shorter to avoid hanging up on the sound board
         This mute is only practical with grand pianos.  May be modified with uprights.               SH 211         $ 12.50

Mason Hamlin Tuning Wrench For "Top Stringer"



13 Tuning Forks Of a Chromatic
John Walker- Scale In Carrying Folder-
Sheffield forks imported from England,
and they cover the temperament octave
from C-261.6 to C-523.3.  
They are made of blued steel, and are
packed in an attractive hard leatherette case with clasps.  The note and frequency
of the note is clearly shown on each fork.                                 
                                    SH2124             $ 355.00

Tuning Fork-- 150 year old company
         Made in Sheffield England By the Ragg family--
         Sheffield Blued Steel- C-523.3                  
                  SH2111              $ 25.00
         Same Tuning Fork-- A-440-                                          SH2110              $ 25.00

Nickel Plated Tuning Forks--
         Made by John Walker of Sheffield, England
         These forks are large steel forks, 3/8" wide, which provide a long, loud ring tone.
         The forks are nickel plated and come in a vinyl pouch. Approx. 5-1/2" long.
         Tuning Fork A-440                                                                                                      
SH2106           $ 78.00
         Tuning Fork C-523.3                                                                                                  
SH2107           $ 78.00

Gold Plated Tuning Fork--
         Made by John Walker of Sheffield, England
         Same steel of other Walker forks, but gold plated. Fine gift to a musician or
         beginning technician. Individually wrapped in a red leatherette case.
         Gold Plated Tuning Fork-- A-440                                                                              
SH3296           $ 99.00
         Gold Plated Tuning Fork-- C-5233.3                                                                         
SH3297           $ 99.00

Aluminum "Monster" Tuning Fork-
         Milled from heavy aluminum alloy- 3/8ths by 1" by 6".  This is a bulky fork,
         but the duration of tone is exceptionally long and sweet.    
                                                                                     SH2108            $ 28.00
                                                                                     SH2109            $ 28.00





Chapter III.              TEMPERAMENT

We have reached the central position in the science of tuning. What has gone before has been enough to show that one cannot obtain a series of pure diatonic scales, in the quantity required for the performance of music, with a key-board comprising only twelve keys to the octave. The particular method adopted in Chapter I for the purpose of showing the truth of this assertion might of course be matched by a dozen others; without altering the facts in the least. For example, I might have pointed out that an ascending series of perfectly tuned perfect Fifths, although nominally equal to seven Octaves, yet actually exceeds them. I might have shown that three major Thirds should be equal to an Octave, if tuned pure one above the other; but that in fact they fall considerably short thereof. There are many other possible illustrations; but I have already shown, in the simplest manner, that some form of compromise is needed if pianos are to be tuned so as to make the performance of music in all tonalities tolerable despite the defective and inadequate 12-to-the-octave key-board. The word Temperament is generically used to indicate any one of the many such systems that have been, at one time or another, proposed and used. It must be remembered that the present type of key-board dates certainly from the 14th century and has scarcely undergone any change in details — positively none in essentials — during all that time.1 This is an amazing commentary on the slowness of the human mind and its hatred of change. It is a fact that the width of an octave, even, has remained the same for certainly three hundred years. And the same slowness of development is true in other details.2

Influence of the keyboard.

The truth implied in Chapter I may now be realized completely: that the keyboard has always exercised a distinctly enslaving influence upon the development of music. If we were not chained to the 12-note keyboard by the tradition of music teaching and of piano making, we should soon have a substitute, as easily taught to the hand, whereby at least the grosser imperfections of any temperament system might be avoided. But to hope this is to hope too much.

Meaning of Temperament.

Actually, the word Temperament means “tuning”; nothing else. Its derivations from the Italian and thence from the Latin, show this clearly. To ''temper" sounds is to tune them. And this fact indicates that the necessity for a compromise from purity was recognized very early and that just intonation has never been even near accomplishment in ordinary practice. In fact the system of Temperament now in use is probably the best that has yet been contrived, although it has had one rival whose claims are not to be despised.

Equal Temperament.

The twelve keys within the octave must, of course, represent amongst themselves the various degrees or steps of relationship existing within that interval. Seeing that we cannot gain purity of ratio with only twelve keys, it follows that we must divide up the octave in some way that will admit, as adequately as may be, of performing required music in a tolerable manner. Equal Temperament is the name given to a system of dividing up the octave into twelve equal parts. This being the case and the pitch proportion of the octave interval being 1 : 2, it follows that the proportion from semitone to semitone in equal temperament is 1 :the 12th root of 2 or 1 : 1.0594631, correct to seven places of decimals. This ratio is the ratio of the equal semitone, upon which the system is based.

The Equal Tempered Scale.

This being so, we have only to select some standard of pitch for some one tone and calculate up and down therefrom by the simple process of multiplying or dividing, semitone by semitone, by the factor 1.0594631.

The octave of course remains the one interval which retains its purity. This is so, because we must have a system of some sort and the octave provides a foundation therefor. Hence the octave remains pure, and so if we once calculate the equal tempered pitch of the 12 semitones in one octave we can obtain that of any one of the tones situated in any other octave by multiplying by 2 for each octave of distance upwards or dividing by 2 for each octave of distance downwards. Thus we may say that Equal Temperament is a system in which the octave interval is tuned pure and all other intervals are tuned in such a way as to produce a tone-series of 12 equal parts within each octave.

International Pitch.

The nominal standard now recognized for the basis of pitch in the United States is A3 = 435. This is the same as the French Normal Diapason, from which indeed it is taken. Assuming this as our standard, we have the following frequencies for the A throughout the compass of the piano, beginning at the lowest :

A-1 = 27.1875

A = 54.375

A1 = 108.75

A2 = 217.5

A3 = 435

A4 = 870

A5 = 1740

A6 = 3480

The piano's scale in equal temperament.

With the above figures as our standard of measurement, and multiplying for each semitone upwards by the equal semitone ratio, we get the table on the next page, showing the complete range of frequencies for the entire 88 notes of the piano.1

Object of the Table.

My object in setting forth this Table is not to confuse the student but to enable him to see how a system of tuning in Equal Temperament may easily be worked out; one far simpler and considerably more likely to lead to correct practice than any other based on guess. The Table is the preliminary essential in the argument now to be set forth.

By examining the Table we observe that if any column be taken, the figures from top to bottom thereof represent the progression of frequencies in the sounds of an ascending octave. All columns to right of any such column are ascending octaves and all columns to the left are descending octaves. From column to column we may proceed by either multiplying or dividing by 2 at each column. The octave interval is pure and the others are worked out on the equal semitone system as explained.

Comparison of Intonations.

Before undertaking to show how tuning in Equal Temperament may most easily be performed, I shall give here a comparison, for the student's benefit, of three pure major diatonic scales built on two of the tempered tone degrees taken from Table I1. The first scale is the tempered scale, the second is a pure diatonic major scale built on the same C3 = 258.65, the second in a pure major diatonic scale built on the tempered major second to C (D), and the third a pure diatonic major built on the tempered D flat. The pure diatonic scales are worked out from each on the basis of the ratios of the diatonic scale major (supra Chapter I) ; and the object of the comparison is simply to show what effect the Equal Temperament has on purity of intonation.

Advantages of Equal Temperament.

These tables show clearly some of the peculiar defects of the Equal Temperament; but they show also some of its peculiar advantages. For it will be seen that at the cost of some perceptible dissonances in certain intervals — dissonances which we shall shortly calculate definitely — we gain the ability to perform music in all tonalities, by aid of the traditional 12-note key-board.

Disadvantages of Equal Temperament.

At the same time we must not lose sight of the fact that in reality the Equal Temperament is a compromise, and a loose compromise, with fact. If it were not for the organ and piano, the imperfections of Equal Temperament would be more easily perceived; but the dynamic powers and immense harmonic resources of these two instruments have endeared them to musicians and have concealed the roughness of their intonation. No one who has read the previous chapter and understands how to listen for beats, however, can long endure the intonation of the organ on such intervals as minor thirds. The sustained tones of that instrument bring out beats very clearly and produce a generally distressing effect for delicate ears. Of course, the truth is that most of us are so used to tempered intonation that we recognize nothing else and know of no other possibility. Yet the fact remains that whoever has heard one of the few experimental key-board instruments that have been constructed to play in pure intonation has been entranced with the sweetness of music thus played. It is far more beautiful than tempered intonation and in fact seems to impart to the music of these instruments a new sweetness and concord. So long, of course, as the manufacture of pianos and organs is stressed rather on its industrial than on its artistic side we shall probably have to remain content with Equal Temperament. But it might as well be observed that if the piano and organ were out of the way, music throughout the world would be on some basis of tuning other than Equal Temperament within ten years. 1 Meanwhile we must be content to tune in Equal Temperament as well as we can, knowing that when such work is well done it is very satisfactory and serves well the requirements of modern music and modern musicians.

Meantone Temperament.

Before going on to consider the method of tuning in Equal Temperament, however, I should like to mention the immediate predecessor of the Equal Temperament; the famous Meantone Temperament, which flourished from the 16th to the early part of the 19th century and may be occasionally found to-day on organs in obscure European villages. This system consists in tuning a circle of fifths equally flat, in such a way as to leave all the thirds major nearly pure. In order, however, to be used for all required keys, it is necessary to have extra key levers, for the flats and sharps of adjacent tones are not identical. For perfect performance in all tonalities, not less than 27 tones to the octave are required, but tlie greater number of tonalities can be used with 16 keys to the octave; the additional tones being for D flat, E flat, A flat and B flat. The ordinary 12-tone key-board would give, of course, starting from C, only the circle of Fifths, which when transposed to the same octave result in the following scale :

C, C#, D, D#, E, F, F#, G, G#, A, A#, B.

Unfortunately, in this temperament, C# will not do for D flat, D# for E flat, G# for A flat or A# for B flat. These tones of course have to be incorporated somehow and in some 18th century organs were built into the manual by dividing up some of the black keys, which were cut across the middle with the back half slightly raised above the front. The mean tone system gives a “sweet” and harmonious effect for nearly all keys, with 16 tones to the octave, although of course this number still lacks 11 tones to make it quite adequate. However, even with 12 tones to the octave, an experiment in meantone temperament can be tried, and will sound very attractive so long as one keeps within the range of keys allowable. To make the best of the key-board we have, the following method may be tried. Start with C and tune the major third C — E perfect. Then tune the fifths from C round to E by Fifths and Octaves, equally flat, testing until the right degree of flatness is obtained. All other notes can be had by tuning pure major Thirds and pure Octaves. By this system it is possible to play in the keys of B flat, F, C, D and A major, and G, D, and A minor. The reason, of course, is as stated below. This is a very useful experiment and if tried out carefully will enable the student to play old music in the tuning for which it was intended; an experience sometimes most illuminating and delightful.2

The “Beat” System.

I have mentioned these things because I am anxious to have the student understand that the Equal Temperament is not the only possible system of tuning. But to get now definitely to the method of tuning in Equal Temperament, which is the system which the tuner today uses universally, let us see what is the nature of our problem. The Table of frequencies (Table I) suggests the method we shall use. We know1 that beats afford us a simple and accurate way of judging the deviation from consonance of one tone sounded with another. Since we cannot trust the unaided ear to tune successively a series of equal tempered semitones, we make use of the method of comparing one tone with another. Thus we have only to ascertain the number of beats that are produced by the members of various intervals in equal temperament, beating against each other, and then to tune these intervals by counting their beats.

Beats arise between coincident partial tones and therefore if we lay out a series of intervals from some given standard tone and calculate the coincident partial tones in each, we can by subtraction find out how many beats there are heard when that interval is rightly tempered.2 Experience shows that it is easiest to tune by Octaves, Fifths and Fourths; by Fifths and Fourths for the Octave of tones, usually F2 — F3, chosen for the “bearings” or foundation work and by Octaves up and down thereafter. The other intervals involved are best used for testing the correctness of the work as it proceeds. Such testing is best done by means of major and minor Thirds and major and minor Sixths, whose rates of beating in equal temperament the tuner must therefore know.

Beats in Equal Tempered Intervals.

The following Table (Table III) gives the number of beats per second in the ascending minor Thirds, major Thirds, Fourths, Fifths, minor Sixths and major Sixths from each degree of the equal tempered scale between C2 and C4 inclusive. The rates are, for purposes of convenience, made correct only within .5 vibrations per second. In other words, where an accurate calculation would show any beat-rate as some whole number plus a decimal greater than .5, the rate has been made the next whole number. For instance, 19.73 is counted as 20; while the same course has been adopted for rates where the decimal correctly is less than .5. For instance, 9.31 is made to read 9.5. On this plan the error may be less than .1 or more than .4 vibrations per second. Inasmuch, however, as the tuner will find his powers extended to the utmost in estimating the beat-rates of Fourths and Fifths at the figures given, and with this relatively large error, it has been thought better to adopt this course. For suggestions as to counting beats and other practical matters of the same sort the following chapters should be consulted.3

Use of the Table.

I do not propose that the tuner shall try to count accurately the beats per second enumerated above; at least immediately. But the special use of the Table is to provide a model which will indicate closely enough the exact amount of impurity in each interval as required for equal temperament. This impurity is measured by the beat-rate instead of by first showing what the ratios of impurity should be and then proposing a rough approximation thereto to be measured by tuning “about so flat” or “about so sharp.” By giving definite beat-rates I make it possible, as the next chapter will show, to tune with unusual accuracy after a reasonable amount of practice. The immediate point is that the tuner should know bow many beats per second eacb interval in the equal temperament scheme really involves, at standard pitch. Knowing this be knows what be ought to do ; and if be can learn what be ought to do, than be can sooner learn bow nearly to attain in practice to that ideal.

Wide and Narrow Intervals.

It only remains to note which intervals are to be widened and which narrowed in equal temperament tuning. The facts are simple and easily understood. They may be stated as follows :

An ascending series of twelve Fifths nominally coincides with an ascending series of seven Octaves from the same notes. Actually the Fifth series comes out sharper than the Octaves; in the ratio 531441 : 524288. Hence equal tempered Fifths must be narrowed; the amount of flatting in each case being determined for the tuner by counting the beats as set forth in Table III. An ascending series of twelve Fourths nominally coincides with an ascending series of five Octaves from the same note. Actually the Fourth series comes out narrower than the Octaves in the ratio 144 : 192. Hence, equal tempered Fourths must be widened, the amount in each case being determined for the tuner by counting the beats.

Although we tune by Fourths and Fifths preferably, it is necessary to understand also the characteristics of the other intervals. Thus :

Three ascending major Thirds nominally coincide with an Octave but actually are short in the ratio 125 : 128. Hence the major Thirds must be widened in equal temperament, the amount thereof in each case being determined as in Table III. Four ascending minor Thirds nominally coincide with one Octave but actually exceed it in the ratio 1296 : 1250. Therefore they must be narrowed in each case, the amount thereof being determined for the tuner by counting the beats as set forth in Table III. In the same way we find that in Equal Temperament the major Sixths are all wide and the minor Sixths narrow.

Increase in beat rate. In the nature of the case, the beats taking their origin from coincident partials, and the ratio of pitch from octave to octave being 1:2, it follows that the number of beats in any interval doubles at each octave ascending and halves at each octave descending. By suitable multiplication and division therefore, the beat-rate in any interval in any octave of the piano may be obtained from Table III. It is worth while pausing here to note that the higher octaves comprise intervals in which the beats are very rapid and conversely the lower octaves have very slow beating intervals. Thus the ascending Fifth C —F beats as follows, from the lowest C upwards :

B. p. s. .1125 or a little more than 1 in 10 seconds, or nearly 5 times in 20 seconds, or nearly 5 times in 10 seconds, or 9 times in 10 seconds or nearly 2 per second (18 times in 10 seconds), or nearly 4 times per second (36 in 10 seconds) or about 7 times per second (72 in 10 seconds).


The Fourths and Fifths Circle.

My preferred method of tuning is by a circle of Fourths and Fifths. By the method noted on in Chapter IV, Fourths and Fifths are alternated in such a way that after the first descending Fifth has been tuned, every note to he tuned is flatted, whether it belong to a Fourth or Fifth. This is made possible by taking all the Fourths descending and all the Fifths ascending, whereby Fourths can be expanded and Fifths contracted in a continuous process of flatting each note in turn; as will at once be seen by glancing at the table mentioned above. 1Practical suggestions for tuning this circle according to the beat-rate system will be found in the next chapter. The tones are taken in the octave F2 — F3, around middle C, and the remainder are tuned by octaves up and down. The circle is known among tuners as “the bearings.”

A note on the Scientific Method.

This concludes all that it is necessary to say about the acoustical foundation of the system universally employed throughout the Occident for the tuning of musical instruments. The practical side of the art is treated in the following chapter. I should not wish to conclude the present remarks, however, without pointing out that I have treated the subject fully but not necessarily obscurely. In point of fact one cannot explain the rationale of Equal Temperament without going into considerable detail. If the reader is content to do without the explanations, and to accept Table III together with the following chapter at their face value, he may skip all that I have set forth in previous pages and take my conclusions as stated. But if he chooses any rapid road like this he will find that rapid roads are often slippery, and he will miss the satisfaction which comes from knowing why as well as how.

The attentive reader will discover nothing difficult in the method adopted here ; and the practical tuner may be assured that the system of counting beats set forth in this and following chapters is not only quite practical but on the whole easier than any other with which I am at present acquainted, and which comes within the limited range of practical requirements. As for accuracy, there is no comparison between this and any system founded on less exact reasoning.

A Note on Intonations.

I should feel that this book has fulfilled its object if it induces some students to take up the study of Intonation in general; by which I mean the study of the general problem of expressing musical scales in practical form. The Equal Temperament is a good servant but a bad master ; and although the practical piano tuner must, in present conditions, use it as it stands, he cannot divest himself of a certain amount of responsibility in the matter of its general approval. For after all, tuners could do something to prepare the world for a better system if they wished to ; and if they knew that improvement is actually possible. What we need is to realize that the Equal Temperament is a purely artificial system resting upon a consent gained rather on account of the absolute necessity for the piano having it than for any fundamental musical reason. To get something better we need a method which will either (1) allow more strings to the octave or (2) will give us a mechanism capable of making instant changes as required in the pitch of given strings, so that modulation may be as facile as it is now.2Let it be understood however that Just Intonation is an ideal to be striven for; and that tuners should by all means make it their business to acquaint themselves with the beauty and sweetness of pure intervals, if only to remind themselves that these really exist.

The scope of the present volume does not permit me to go into detail as to experimental instruments that have been made to give Just or nearly Just Intonation, but I wish that every reader would take the trouble to consult the admirable discussion of this most interesting subject to be found in Ellis' 20th Appendix to the 3rd English edition of Helmholtz. At the end of this book I have ventured to give a short list of works which the student who is desirous of pursuing his acoustical and musical studies further, may consult to his advantage.


Sours: http://www.stevespianoservice.com/Online-Piano-Parts-Catalog/piano-tuning-tools-and-kits.htm
Tools you need to start tuning pianos / the Apex Way
One lot of Vintage Piano Tools for Piano Technician or Piano Tuner

This listing is for all items shown in the photos.  Items are sold as-is.  SHIPS to USA Only.

Listing revised to remove spare parts, no longer available.  

In the foreground of the first photo is a rare Hale Piano Tuning Hammer,  which is stamped Hale Tuning Hammer Pat Oct 30 1906.  We have seen this hammer listed for sale at more than half of what we are asking for the entire lot of tools and parts.   Besides Hale, other makers include Schaff, and APSCO (American Piano Supply Company) pliers made in Germany.

As we are not familiar with the variety of piano maintenance tools, we include the following list as information only, and we can not guarantee that this lot includes one of each of those tools; but we believe it does.

To the best of our knowledge, among the tools included are:
  • a piano hammer butt spacer, 
  • a hammer shank press, 
  • a piano tuning hammer, 
  • a hammershank reducer, 
  • center pin extracting pliers, 
  • an action regulating letoff screwdriver, 
  • a hammer extractor, and 
  • a swivel head voicing tool.   
Items in this lot weigh approximately 7 lbs, and will be packed securely to avoid damage in transit.

Sours: https://reverb.com/item/5744369-lot-of-vintage-piano-tools-for-piano-tuning-action-adjustment-and-spare-parts

Tools for sale piano tuner

If you're looking for high-quality and affordable piano tuning wrench - you'll find the best piano tuning wrench at great prices on Joom - from 5 to 225 USD. A wide range of available colours in our catalogue: Brown, Grey, Multicolor, Red, Black, Blue, Gold. Only high-quality materials: Metal, Rubber, Wood, Plastic, Wool, Felt, Resin; and popular brands: Ammoon.

If you're not satisfied with the quality of piano tuning wrench you've received - please contact our support. We'll review the issue and make a decision about a partial or a full refund.

All products from piano tuning wrench category are shipped worldwide with no additional fees.

  • Choose a product

  • Tap a "Buy" option to place the product in the cart and proceed with your order.

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  • Enter your full delivery address (including a ZIP code and an apartment number), personal details, phone number, and an email address.Check the details provided and confirm them.

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Delivering products from abroad is always free, however, your parcel may be subject to VAT, customs duties or other taxes, depending on laws of the country you live in. If you're not sure whether you will be charged any taxes, please contact your country's customs service information bureau.

Sours: https://www.joom.com/en/best/piano-tuning-wrench
Piano tuning tools. Where to buy regulating hummer.

Find out what tools are essential for tuning your piano. We feature 11 different types of piano-tuning tools that will ensure each string strikes the right chord and will keep your beloved stringed instrument in excellent condition for many years to come.

Types of piano tuning tools.

Pianos need to be tuned regularly if you want it to stay in tip-top condition. Those tuned regularly in the early years will most probably stay in tune for a longer period of time as compared to a piano tuned only at the later years of its life. New pianos will need to be tuned four times in its first year and then every six months in the succeeding years.

Although the cost of a tune-up runs from $100-200, it would still be way more expensive to have it restrung. You can ditch the piano tuner but only if you have both the skills and the right piano tuning tools. Otherwise, you run the risk of seriously damaging your piano.

Table of Contents

Related:Music Room Decor Ideas | Living Rooms with Piano

Piano Tuning Hammer

L-shape piano tuning hammer with walnut handle grip.

Source: Amazon

The first thing that needs to be said about the piano tuning hammer is that this is the most essential tool for the job. If you don’t have access to a piano tuning hammer, then you aren’t going to be able to perform the job. You need to be able to open the piano up and do the work. It’s also good to understand that this tool goes by a couple of different names.

Some people refer to this tool as a piano tuning lever. Others will refer to it as a piano tuning key. These are all referring to the same type of tool, so just use these terms interchangeably, as you please. The important thing to know is that you need one of these.

Buying a high-quality piano tuning hammer is highly recommended. You want to purchase one that has a sturdy handle so that you can turn it properly. You need to be able to use your strength to turn it and know that it is going to hold up to regular use. This is why durable wood is used for the handles of these tools.

This hammer has an l-shaped design and features a sturdy steel shaft. It is very resistant to abrasions and will be able to last you for a long time. This is a great tool to purchase for tuning pianos and will definitely help you out. It can be beneficial to purchase several different sizes and styles of piano tuning hammers, so you may want to look into others as well.

Piano Tuning Lever Tip Wrench

Iron piano tuning lever tip wrench.

Source: Howard Piano Industries

This piano tuning lever tip wrench is going to be one of the most useful tools for tuning certain pianos. This is used for the removal of tuning lever tips. It can also be put to use when you need to tighten them. The way that it is designed allows you to easily turn it, and this is going to make the process take a lot less effort than it would with another tool.

Conveniently, this tuning lever tip wrench is capable of fitting most star sizes. It can fit size one all the way up to size four. This helps to make it useful for many different purposes and is another good reason to consider purchasing it. Aside from its overall utility, another standout feature is that it is exceptionally durable.

This tool is made out of a hardened steel that is going to stand the test of time. You won’t need to buy another one of these unless you happen to lose it. It is very durable and will be a reliable partner for you when tuning pianos for many years to come. You’ll want to always keep this in your toolkit to make tuning lever tips much easier to deal with.

Piano Regulating Screwdriver

12 inch piano regulating screwdriver.

Source: Amazon

There are going to be times when you are tuning a piano that you will require a piano regulating screwdriver. You need to have access to this tool in order to be able to turn regulating screws. These tools are specifically designed to make turning this screws as streamlined as possible. The screwdriver has a thin but durable design that will allow you to access the piano very easily.

This is pretty lightweight but you don’t need to worry about it not being able to stand up to regular use. It is made out of a very hardy metal material, allowing you to torque on it without feeling worried. This is going to be a regular part of your piano tuning process, so it is an essential purchase. Being without one would present certain problems, so you will want to go ahead and track one down.

This screwdriver here is twelve-inches long and has an opening that is perfect for turning the larger regulating screws. You will have an easy time getting a good grip on this screwdriver, and this will make everything seem as simple as it can. Tuning your piano will be a lot more pleasant when you have this screwdriver in your kit.

Piano T Tuning Lever

Piano t-shape tuning lever with walnut handle grip.

Source: Howard Piano Industries

The piano t tuning lever is an interesting tool that is going to be useful to you. When you are tuning your piano, you are going to need to take certain tuning pegs in and out of the instrument. Having access to this piano t tuning lever is going to make the process easier than it would otherwise be. You will be able to balance the tension more effectively and can make this process go a little quicker.

If you want to understand what this tool brings to the table, then you need to look at how it is made. The tool is approximately six inches long and features a square tip. The handle of the tool is five and a half inches long, meaning that the handle is almost the same length as the tool bit. It is optimal for making stringing work simpler than it would otherwise be.

The way that you hold this tool is what makes it easier to use in certain situations. Some people would never want to have to tune their piano without having access to one of these. The tool can also be used to help with other string instruments, so if you are a multi-instrumentalist, this will be a handy tuning tool to have in your collection. The t grip on this tool feels very nice to use and it will help you to make the process of tuning your piano more pleasant overall.

It is possible to tune a piano without one of these t tuning levers, but it is smart to buy tools that can make your life a bit easier. The purpose of tuning your piano is to get it to sound the best that it possibly can. If you can have an easier time making this happen with the t tuning lever, then it is going to be a worthwhile purchase. It should also be noted that this t tuning lever isn’t all that costly, so purchasing one isn’t going to break the bank.

Electronic Chromatic Tuner

Large display auto chromatic tuner.

Source: Amazon

The electronic chromatic tuner is what most people use to tune a piano these days. People used to use tuning forks for this purpose, but electronic tuners have become more commonplace. They are easier to use for novices and allow people to get accurate tuning in the most efficient way possible. If you want to be able to tune your piano swiftly, then it makes sense to buy one of these electronic chromatic tuners.

Overall, these tuners are very cost-effective. It will cost more money than an average tuning fork would, but it is still not a significant investment to buy one of these. You can buy an electronic tuner and make use of it to tune your piano right away. This will help you to make the process go quickly, and you can be sure that it is being done properly.

Even professionals make use of these electronic tuners in the modern era. Although many professionals do know how to tune a piano using just a tuning fork, they make use of the electronic tuners in order to expedite the process. If you are new to the idea of tuning a piano, then you will want to go the electronic route. It is going to be far simpler for you to use, and it will work nicely.

This model right here has a great LCD screen that is easy to read. The needle will allow you to determine all of the information that you need to know. With a wide detection range and powerful calibration capabilities, this is a great tool to have available to you. Buy one if you want to be able to tune your piano fast while remaining as accurate as possible.

Tuning Fork

Small steel tuning fork for piano.

Tuning forks are still widely used to help tune pianos. In the past, this used to be the most important tool aside from the piano tuning hammer. In modern times, many people have taken to using the electronic chromatic tuners, as mentioned above. Even so, a good tuning fork is going to be quite useful in the right hands, and there is some merit to purchasing one.

It should be noted that a tuning fork isn’t just used to help tune pianos. This tuning fork is going to be very useful when you want to tune any stringed instrument. It can be used to help tune any type of instrument that can be tuned, but it is most commonly used with stringed instruments. Just about any type of musician will find a tuning fork to be very useful.

This tuning fork right here is made out of a high-quality steel. It looks really nice and is capable of delivering a clear tone. This is essential when you are looking to tune something with great accuracy. The clarity of the tone will allow you to perform the task properly.

When you aren’t using this tuning fork, you can place it inside of the included soft shell case. It also comes with a cleaning cloth so that you can wipe it down after you have used it. This is good for when you get fingerprints on your tuning fork and want to keep it from looking shabby. Buying a tuning fork is a great idea, and you may want to own one even if you already own an electronic chromatic tuner.

Rubber Wedge Mute

Black rubber wedge mute for piano tuning.

Source: Howard Piano Industries

Rubber wedge mutes are very commonly used to help tune pianos. These mutes are really a necessity if you want to be able to tune your piano accurately. You’re going to need to mute certain notes, and inserting the wedge mute in the right spots will allow you to do just that. This allows you to isolate certain areas that you need to tune so that you can get clear readings.

Most wedge mutes are made out of rubber because it has really good sound dampening properties. You will find wedge mutes that are made out of other materials, but they are a bit less common. One of the problems that people have with these wedge mutes is that they aren’t the quickest tools to use. You have to take the time to meticulously place them where they need to go, and this can somewhat slow down the process of tuning a piano.

You may have better luck using a wedge mute on specific parts of your piano and then making use of other mutes for certain spots. This may help to save you a bit of time and is something that you should consider. Whatever your decision winds up being, you will want to own several of these rubber wedge mutes if you’re going to be tuning pianos very often.

The set of wedge mutes being shown here comes with two different mutes. You can also purchase rubber wedge mutes in different sizes, allowing you to buy the proper wedge mute that will work best in a certain spot. Do your best to buy all of the wedge mutes that you need. You want to make your piano tuning task as easy on yourself as you can, and you will need all of the best tools to make it happen.

Gang Mute

Piano tuning rubber gang mute with 13 wedges.

Source: Amazon

Gang mutes are definitely something that you will want to have access to when tuning your piano. Some people don’t see the gang mute as an absolute necessity, but others would never dream of attempting to tune a piano without one. Simply put, a gang mute is going to allow you to mute multiple notes at once. It is very easy to use and will help you to tune your piano very accurately.

Generally speaking, gang mutes are made out of rubber materials. Natural rubber is an excellent material when it comes to muting sounds. It has all of the properties that you need in order to mute sounds effectively, making it the perfect choice when creating a tool like this. This gang mute here is constructed all in one piece and features thirteen wedges.

The mute is six and a half inches long, and this will make it easy to mute multiple notes at the same time. The biggest reason that people use these gang mutes is that they can potentially speed up the process of tuning your piano. Saving a bit of time is nice, and it is easy to make use of these gang mutes. They’re very cost-effective, so it will be a good idea to purchase at least one.

Sometimes gang mutes will be included in piano tuning kits that you will see on the market. This can be a useful way to get multiple tools that you need all in one convenient location. The gang mute being shown here is a standalone product, so just think about what your needs are before purchasing. You’ll be able to get all of the tools that you need and can then tune your piano much more effectively.

Treble Mute

Treble mute for piano tuning.

Source: Amazon

A treble mute can be used very effectively while you are tuning a piano. It isn’t an absolute necessity for tuning a piano but it will come in handy when you want to get the best results possible. Using this treble mute is going to allow you to mute particular treble strings by placing it in the right spots. You need to place it on the middle string of a three-string treble in order for it to work properly.

The reason that people like using these treble mutes are that they can be placed so quickly. You can easily grab the treble mute and place it where it needs to go. In some ways, it is easier to use than the wedge mutes that are more commonly used. Using treble mutes in conjunction with other mute types is probably going to give you the best results.

You will find a few different variations of the treble mute that are on the market. The one being shown here is probably the most common. You can also find treble mutes that are simply like sticks if you would prefer to purchase that. Regardless, this treble mute is going to work great for muting strings quickly.

This mute is made out of a nylon material. It comes with a convenient storage case so that you can keep it safe when it isn’t in use. You can purchase this tool at an affordable price, so it is definitely worth adding to your collection. This will help you to tune your piano more swiftly, and you’ll have a better experience overall.

Piano Lid Prop Block

5 inch piano lid prop block for tuning.

Source: Howard Piano Industries

If you want to keep your head safe while you’re working inside of your baby grand piano, then it is going to be beneficial to purchase a piano lid prop block. Pianos that feature lids can be a bit trickier to work on in some ways when compared to console pianos. Luckily, purchasing a lid prop block will eliminate some of the problems with having to worry about keeping the lid in place while you’re performing the tuning work.

These lid prop blocks are actually very affordable. It won’t cost you too much money at all to buy one of these and they will be useful if you have a piano that makes it necessary. You could probably get away without buying one in most instances, but this can just make things more convenient. Since they are rather inexpensive, it makes sense to just go ahead and buy one to save yourself the hassle.

You want to be able to focus on tuning your piano completely while you’re performing the task. Not having to worry about the lid falling down or whether or not anything is going to shift is important. Purchasing one of these is a simple way to make the experience a little easier. You’ll want to use this every time that you are tuning a piano with a lid.

This particular piano lid prop block is made out of brass. This is formed brass and the outside of this prop is covered with felt in order to protect the piano. This lid prop block is only five inches long, but it makes a huge difference. This tool will also help to keep your walls from getting dinged by the lid, so you should definitely consider purchasing it.

Piano Tuning Wool Felt Temperament Strips

Piano tuning wool felt temperament strips extra thin.

Source: Amazon

These piano tuning wool felt temperament strips are going to come in handy. People who tune pianos for other professionals find these strips to be a crucial part of the tuning process. It’s actually really simple to make use of these strips, too, so you will be able to mute many strings at once if you have some of these strips available. Being able to mute multiple strings is always good, and you’ll have a convenient time using these once you know what you’re doing.

Simply place these strips on the outside strings of your trebles. You want to make it so that only one string is going to sound a note. This allows you to isolate it and tune it properly. When you want to be very accurate with your tuning, it pays to have some wool felt temperament strips in your toolkit.

The way that you use these is interesting, too. You apply the strips where you need them to go and then simply push the felt in where you need it to be. This allows you to isolate notes without having to continually re-position the temperament strips. It’s going to be a huge boon to your efforts if you have some of these strips.

These strips are so popular that they are regularly appearing in piano tuning kits at major retailers. The temperament strips that are being shown here are a standalone variety, but you should keep in mind that you can get them in kits. If that would be more useful to you than buying the strips alone, then you will want to consider it.

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